Interface
Plaster, finishing nails, twine, polyethylene.
Material investigation of Frigyes Karinthy's 6 degrees of separation. One thread connects points of calibration raised from the face. Face is distorted by network.
Antiface
Chicken wire, tin mesh, ballpoint pens, bias tape, felt, hot glue.
Pen nibs calibrated to points on the face mark the skin as face moves.
An attempt to document automatic facial movement inspired by Rosalind Krauss's 1979 essay, Grids.